A family home unites the demands of an extensive program with hierarchy, plasticity, natural light, views, blurring of interior/exterior space and a unique connection to the natural landscape. Building elements are organized into attached/detached pavilions based on program, hierarchy of structure and levels of privacy. The pavilions are dislocated around a unifying north/south glass spine/bridge that allows for an abundance of natural light, compelling vistas through the building to the surrounding landscape, lake, and beyond.

The push-pull of building elements around the organizing circulation spine generates intriguing exterior landscaped spaces that inhabit the zones between each pavilion. A simple, cyclical palette of wood, stone, concrete, steel, and expansive window walls allow the architecture to recede and let nature take center stage.

A series of water features reinforce the pavilion’s relationship to the lake. A spring box at the edge of the auto court and a spring box west of the two main pavilions feed water features which appear to flow under the buildings into a larger architectonic water feature. This water feature then pours into a larger body of water that was developed to feel like a native pond adjacent to the lake. This pond is connected visually (and when it rains, literally) to the lake beyond. Terraces are positioned adjacent to primary living areas in order to further integrate the buildings to the site.

The existing monolithic bulkhead is pierced by three new coves that restore the lakeshore back to its imagined natural beauty which in-turn allows the family to enjoy activities at the water’s edge. A hidden stone patio to the north creates a private space to engage the lakeshore, and two outdoor rooms with fire pits were placed at some distance from the pavilions for the family to enjoy the lake at night.